ARTWORK

iremembr(2009-2015) is a digital art work that investigates relational materiality of memory through digital memory objects, proximity and intimacy. In this intervention, a web memory palace has been created in which a collection of high-resolution photo-images merge the personal with the public memory, while the photo-image itself reveals the multi-layers, intercorporealities, traces and expressions of memory. The artwork’s questions surround storage and the act of memory, as well as the expression of the subjective embodied memory trace – as body expressions are being silenced in the process of technologisation and cultural transformation.

iremembr acts as a memory palace that, through its processes, captures the transition of the traditional family photo album to the digital, Flickr photo album, and its experience creates new forms of memory, thus leading to digital materiality, trace and place of memory. iremembr is a series of five images located on the Flickr web service. Each image has been taken from my personal family album and scanned at over 10,000 DPI, merging the representation of the original photograph with its human interaction and with motion. The high DPI enables multi-dimensional forms of the photo-image: as you zoom in, its aesthetic and experience become less painterly and more digital noise. Through this, in addition to tagging and Flickr auto-tagging, the work plays with various dualities of the expression of memory. In doing so, my approach is close to the auto-ethnography method in that I investigate how my memory object is transformed in the process of being made public and collective.

iremembr(2009-2015) is a digital art work that investigates relational materiality of memory through digital memory objects, proximity and intimacy. In this intervention, a web memory palace has been created in which a collection of high-resolution photo-images merge the personal with the public memory, while the photo-image itself reveals the multi-layers, intercorporealities, traces and expressions of memory. The artwork’s questions surround storage and the act of memory, as well as the expression of the subjective embodied memory trace – as body expressions are being silenced in the process of technologisation and cultural transformation.

iremembr acts as a memory palace that, through its processes, captures the transition of the traditional family photo album to the digital, Flickr photo album, and its experience creates new forms of memory, thus leading to digital materiality, trace and place of memory. iremembr is a series of five images located on the Flickr web service. Each image has been taken from my personal family album and scanned at over 10,000 DPI, merging the representation of the original photograph with its human interaction and with motion. The high DPI enables multi-dimensional forms of the photo-image: as you zoom in, its aesthetic and experience become less painterly and more digital noise. Through this, in addition to tagging and Flickr auto-tagging, the work plays with various dualities of the expression of memory. In doing so, my approach is close to the auto-ethnography method in that I investigate how my memory object is transformed in the process of being made public and collective.

iremembr(2009-2015) is a digital art work that investigates relational materiality of memory through digital memory objects, proximity and intimacy. In this intervention, a web memory palace has been created in which a collection of high-resolution photo-images merge the personal with the public memory, while the photo-image itself reveals the multi-layers, intercorporealities, traces and expressions of memory. The artwork’s questions surround storage and the act of memory, as well as the expression of the subjective embodied memory trace – as body expressions are being silenced in the process of technologisation and cultural transformation.

iremembr acts as a memory palace that, through its processes, captures the transition of the traditional family photo album to the digital, Flickr photo album, and its experience creates new forms of memory, thus leading to digital materiality, trace and place of memory. iremembr is a series of five images located on the Flickr web service. Each image has been taken from my personal family album and scanned at over 10,000 DPI, merging the representation of the original photograph with its human interaction and with motion. The high DPI enables multi-dimensional forms of the photo-image: as you zoom in, its aesthetic and experience become less painterly and more digital noise. Through this, in addition to tagging and Flickr auto-tagging, the work plays with various dualities of the expression of memory. In doing so, my approach is close to the auto-ethnography method in that I investigate how my memory object is transformed in the process of being made public and collective.

iremembr(2009-2015) is a digital art work that investigates relational materiality of memory through digital memory objects, proximity and intimacy. In this intervention, a web memory palace has been created in which a collection of high-resolution photo-images merge the personal with the public memory, while the photo-image itself reveals the multi-layers, intercorporealities, traces and expressions of memory. The artwork’s questions surround storage and the act of memory, as well as the expression of the subjective embodied memory trace – as body expressions are being silenced in the process of technologisation and cultural transformation.

iremembr acts as a memory palace that, through its processes, captures the transition of the traditional family photo album to the digital, Flickr photo album, and its experience creates new forms of memory, thus leading to digital materiality, trace and place of memory. iremembr is a series of five images located on the Flickr web service. Each image has been taken from my personal family album and scanned at over 10,000 DPI, merging the representation of the original photograph with its human interaction and with motion. The high DPI enables multi-dimensional forms of the photo-image: as you zoom in, its aesthetic and experience become less painterly and more digital noise. Through this, in addition to tagging and Flickr auto-tagging, the work plays with various dualities of the expression of memory. In doing so, my approach is close to the auto-ethnography method in that I investigate how my memory object is transformed in the process of being made public and collective.

iremembr(2009-2015) is a digital art work that investigates relational materiality of memory through digital memory objects, proximity and intimacy. In this intervention, a web memory palace has been created in which a collection of high-resolution photo-images merge the personal with the public memory, while the photo-image itself reveals the multi-layers, intercorporealities, traces and expressions of memory. The artwork’s questions surround storage and the act of memory, as well as the expression of the subjective embodied memory trace – as body expressions are being silenced in the process of technologisation and cultural transformation.

iremembr acts as a memory palace that, through its processes, captures the transition of the traditional family photo album to the digital, Flickr photo album, and its experience creates new forms of memory, thus leading to digital materiality, trace and place of memory. iremembr is a series of five images located on the Flickr web service. Each image has been taken from my personal family album and scanned at over 10,000 DPI, merging the representation of the original photograph with its human interaction and with motion. The high DPI enables multi-dimensional forms of the photo-image: as you zoom in, its aesthetic and experience become less painterly and more digital noise. Through this, in addition to tagging and Flickr auto-tagging, the work plays with various dualities of the expression of memory. In doing so, my approach is close to the auto-ethnography method in that I investigate how my memory object is transformed in the process of being made public and collective.

iremembr(2009-2015) is a digital art work that investigates relational materiality of memory through digital memory objects, proximity and intimacy. In this intervention, a web memory palace has been created in which a collection of high-resolution photo-images merge the personal with the public memory, while the photo-image itself reveals the multi-layers, intercorporealities, traces and expressions of memory. The artwork’s questions surround storage and the act of memory, as well as the expression of the subjective embodied memory trace – as body expressions are being silenced in the process of technologisation and cultural transformation.

iremembr acts as a memory palace that, through its processes, captures the transition of the traditional family photo album to the digital, Flickr photo album, and its experience creates new forms of memory, thus leading to digital materiality, trace and place of memory. iremembr is a series of five images located on the Flickr web service. Each image has been taken from my personal family album and scanned at over 10,000 DPI, merging the representation of the original photograph with its human interaction and with motion. The high DPI enables multi-dimensional forms of the photo-image: as you zoom in, its aesthetic and experience become less painterly and more digital noise. Through this, in addition to tagging and Flickr auto-tagging, the work plays with various dualities of the expression of memory. In doing so, my approach is close to the auto-ethnography method in that I investigate how my memory object is transformed in the process of being made public and collective.