CONTENTS
Cindy Sherman Untitled Film Still #21 1978
(Collection The Museum of Modern Art, New York)
Robert Mapplethorpe Self Portrait 1985
(© The Estate of RobertMapplethorpe )
Cindy Sherman Untitled Film Still #6 1977
(Collection The Museum of Modern Art, New York)
Robert Mapplethorpe Ken Moody and Robert Sherman 1984
(© The Estate of Robert Mapplethorpe )
ASPECTS OF POST-MODERNITYEM003 |  English and American Studies |
This course will examine various aspects of the international debate about postmodernity in the field of visual culture. Aspects of Post-Modernity will include topics on Cindy Sherman: Femininity, Masquerade, and Feminist Theory and Robert Mapplethorpe, Black Sexuality and Censorship.
Internet Sites: Cindy Sherman & Robert Mapplethorpe
CINDY SHERMAN
- Cindy Sherman(The Eli Broad Family Foundation)
Biography and Untitled Film Stills
- Cindy Sherman's The Complete Untitled Film Stills (The Museum of Modern Art)
Exhibition: June 26-September 2, 1997. In December 1995, The Museum of Modern Art acquired all sixty-nine black-and-white photographs in Cindy Sherman's Untitled Film Stills series. This insured that this landmark body of work was preserved in its entirety in a single public collection.
- CINDY SHERMAN Untitled Film Stills 1977-1982(Gallery 2, 03.04-24.05.98)
Photography from the collection of the Museum of Modern Art, New York; Curator: Peter Galassi
From C: The Speed of Light, A. D. Coleman on Photography and Related Matters, The Nearby Cafe
- Seattle Art Museum Presents Cindy Sherman’s Allegories(Seattle Art Museum)
Aug. 27, 1998-Jan. 24, 1999 (Seattle Art Museum)
- RobertMapplethorpe (Digital Arts & Sciences Corp. Created by Image Axs Pro)
Advertisement Catalogue Raisonne on CD-ROM
- Robert Mapplethorpe Retrospective (Gallery of Photography, Temple Bar, Dublin, Ireland from November 1996 through January 1997)
Virtual Exhibit curated by Christine Redmond
Permanent Collection: Gardenia
- Robert Mapplethorpe Traveling Exhibition(The File Room, Randolph Street Gallery)
Description of Incident at the Contemporary Arts Center of Cincinnati
- The Garden of Earthly Delights: Photographs by Edward Weston and Robert Mapplethorpe (UCR/California Museum of Photography)
A side-by-side comparison of 82 works by Edward Weston and Robert Mapplethorpe opened at the UCR/California Museum of Photography on March 4, 1995; it then toured to the ICP in New York and the Baltimore Museum of Art.
- Robert Mapplethorpe(OCAIW, ©Copyright Orazio Centaro)
Biography and indexed collection of images available on-line as posters
- In[ ]Visible Culture: An Electronic Journal for Visual Studies(University of Rochester)
The purpose of In[ ]Visible Culture is to provide a forum for critical approaches to the production and analysis of cultural objects.
- Postmodern Culture(John Hopkins University Press and University of Virginia's Institute for Advanced Technology in the Humanities)
From John Hopkins University Press Project Muse: Scholarly Journals On-line
Biography and Untitled Film Stills
Exhibition: June 26-September 2, 1997. In December 1995, The Museum of Modern Art acquired all sixty-nine black-and-white photographs in Cindy Sherman's Untitled Film Stills series. This insured that this landmark body of work was preserved in its entirety in a single public collection.
Photography from the collection of the Museum of Modern Art, New York; Curator: Peter Galassi
From C: The Speed of Light, A. D. Coleman on Photography and Related Matters, The Nearby Cafe
Aug. 27, 1998-Jan. 24, 1999 (Seattle Art Museum)
Advertisement Catalogue Raisonne on CD-ROM
Virtual Exhibit curated by Christine Redmond
Permanent Collection: Gardenia
Description of Incident at the Contemporary Arts Center of Cincinnati
A side-by-side comparison of 82 works by Edward Weston and Robert Mapplethorpe opened at the UCR/California Museum of Photography on March 4, 1995; it then toured to the ICP in New York and the Baltimore Museum of Art.
Biography and indexed collection of images available on-line as posters
The purpose of In[ ]Visible Culture is to provide a forum for critical approaches to the production and analysis of cultural objects.
From John Hopkins University Press Project Muse: Scholarly Journals On-line