<:> Collins

• `attempts to model the production of electropop and dance music styles
• where the `voices (including a percussion section, bass, chord and lead lines) are not independently created: the parts can cross-influence each other based on underlying harmonic ideas, rhythmic templates and already generated lines.
• Any part of the system can influence or in the extreme force the recalculation of another, both from top-down and bottom-up information impacting on compositional preference.
• Dynamic programming is used to choose melodic lines for counter melodies under cost constraints of register, harmonic template, existing voices and voice leading heuristics.